ABOUT

Samesame but different, Aotearoa New Zealand’s first LGBTQIA+ Writers Festival, was launched by the writer Peter Wells in 2016. Peter’s goal was for the festival to be “an exciting event that makes people think about sexuality, difference and community, stretches their understanding, gives them a few laughs and creates a slightly magic space for two days in February.”

Since Peter’s death in 2018, samesame but different has been run by an energetic group of volunteers who have continued the festival’s tradition of bold events, strong attendance and stimulating conversations.

As well as providing a platform to amplify the voices of LGBTQIA+ writers, we use our funding to pay all the writers and moderators who participate in our discussions.

Founder

Peter Wells founded the samesame but different LGBTQIA+ Writers Festival in 2015, having already co-created the Auckland Writers Festival in 1999. An award-winning author and film-maker, Peter consistently broken barriers in both publishing (his collection of short stories, Dangerous Desires, was the first gay-themed book to be published in New Zealand under the author’s own name) and film (Jewel’s Darl showed transgender characters in a sympathetic light as early as 1986). His subsequent writing career embraced both fiction and New Zealand history, and he received many accolades for his work in both areas. In 2018 Unity Books gave Peter Wells a $20,000 award for his ‘body of work but also his long-spansocial justice activism … His strong sense of social justice combined with his literary achievements has nourished, sustained and encouraged readers in Aotearoa.’ On being told he had cancer in 2017, he chronicled his experience of living with the disease in a series of Facebook posts which he later turned into his last book, Hello Darkness, published shortly before his death in 2019.

BOARD Members

Simie Simpson

Chair
​Simie Simpson (Te Ati Awa) is interested in spaces that allow people and books to connect. She believes in the transformative power of books and the importance of seeing yourself reflected in the books you read. Simie has many years of working in the book trade, cutting her teeth as a bookseller at Unity Books, and working as a rep and then NZ sales manager for Walker Books. Currently she is enjoying the role of librarian in the beautiful Kaipara and reviewing books for Magpies, Sapling, and the Paparoa Press. Simie was a judge for the NZ Children Book Awards in 2019 and the NZ Booksellers Industry Awards 2019. After being a participant and volunteer of same same, and an admirer of the unique place it holds in the queer, literary scene she is keen to be a part of the future of this festival.

Michael Giacon

Board Member
Michael Giacon is a poet, songwriter and performer. Born and raised in Auckland, he is from a large Pakeha-Italian family. In 2016 he graduated with a Master of Arts in Creative Writing from AUT, and the same year won the Kathleen Grattan Prize for a Sequence of Poems. He was the NZPS/a fine line Featured Poet summer 2021, and has been published in various journals including Landfall and the Poetry New Zealand Yearbook.

Joanne Drayton

Board Member
Joanne Drayton is an acclaimed New Zealand author whose output is globally recognized as being of the highest caliber. Her book The Search for Anne Perry was numbered in the top 10 non-fiction books on the New York Times bestseller list in 2015. It was a finalist in the prestigious New Zealand Book Awards in August 2013; it was the subject of a 60 Minutes programme; and a cover story for the NZ Listener. Her critically acclaimed Ngaio Marsh: Her Life in Crime (2008) was a Christmas pick of the Independent newspaper when it was released in the UK in 2009. The subjects of her other biographies include Frances Hodgkins, Rhona Haszard and Edith Collier. She has curated exhibitions and publishes in art history and theory. In 2007, she was awarded a National Library Fellowship, and in 2017 a prestigious Logan Fellowship at the Carey Institute in upstate New York. See Joanne as an Author

Lily Holloway

Board Member

Lily Holloway (she/they) is a forever-queer postgraduate English student and graduate teaching assistant. While she mostly writes poetry, she has also tried her hand at non-fiction, fiction and playwriting. You can find her work published or forthcoming in places like Starling, Midway Journal, Cordite Poetry Review, Landfall and The Pantograph Punch (amongst various other literary nooks and crannies). In 2020 she was honoured to receive the Shimon Weinroth Prize in Poetry, the Kendrick Smithyman Scholarship for Poetry and second place in the Charles Brasch Young Writers' Essay Competition. She is an executive editor of Interesting Journal and has a chapbook forthcoming in AUP New Poets 8. You can find more of her work at lilyholloway.co.nz or follow her @milfs4minecraft on Twitter.

Nathan Joe

Board Member
Nathan Joe is an award-winning theatre-maker and performance poet based between Tāmaki Makaurau and Ōtautahi. Recent work includes curating BIPOC spoken word event DIRTY PASSPORTS at Basement Theatre, a staged reading of his play Scenes from a Yellow Peril at Auckland Arts Festival, co-creating Slay the Dragon or Save the Dragon or Neither with A Slightly Isolated Dog, and directing Yang/Young/杨 for Auckland Theatre Company. He is also the current National Slam Champion. He was the 2019 NZ Young Writers Festival writer-in-residence, one of the 2020 Ursula Bethell writers-in-residence, a 2021 Michael King Writers Centre resident, and a 2021 Christchurch Arts Centre resident.
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Hiraani Himona

Developer
Hiraani Himona (Ngāi Te Whatuiāpiti, Ngāti Rangiwhakāewa, Ngāti Hikarara) has been Executive Director of Te Tuhi since 2015 and was previously Deputy Director of the South London Gallery. She has a background in arts administration with a history of providing opportunities for diverse communities, including working in Māori development (Te Puni Kōokiri and the Ministry of Education Te Tāhuhu o te Mātauranga), disability (Mental Health Media), gender and sexuality (York Lesbian Arts Festival, Women Like Us) and youth at risk (Hi8us South). She has a Bachelor of Science from Massey University Te Kunenga Ki Pūrehuroa.  

Rhion Munro

Board Member
Rhi (he/they) is a lover of all things literary. He works with young people in the harm reduction space and is passionate about systems change, participatory community design, and a health based approach to drug and alcohol reform. They like to read (everything), dance, game, make music, garden, write poetry, hike, and travel to distant and not so distant places. Rhi is a qualified Librarian, a westie, and a proud non-binary, transmasculine person. He’s stoked to be the newest member of the Same Same but Different board and to serve the queer, takatāpui, and intersex communities of Tāmaki Makaurau.

Izzy Robinson

Board Member
Izzy Robinson is a producer and theatre creator specialising in non-traditional and site specific works, as well as an on-again-off-again playwright. They grew up in Auckland then moved to Montreal to attend University, then onto Washington DC to complete a Scenic Carpentry Apprenticeship. After this Toronto became their base for the next several years while they worked as a freelance Production Manager, Stage Manager, and Producer. During this time Izzy also founded and was the Artistic Director of Moose + Moa Theatre Company, a group focused on original works and collective creation. Izzy has also toured internationally for the last five years with Kidd Pivot, as Crew Chief for Betroffenhiet, and Stage Manager for Revisor, both Laurence Olivier Award winning productions by Crystal Pite and Jonathon Young. Most recently Izzy held the position of Director of Production at Caravan Farm Theatre, a rural outdoor theatre company based on 80 acres of forest and farm in the Okanagan Valley. Currently they work as the Creative Producer at Touch Compass, a professional, disability-led performing arts company. Izzy is proudly Trans Non-Binary and they are always seeking ways to platform and celebrate marginalised voices from across the Queer community as well as other intersections of identity less often seen on our main stages.